Sunday, March 30, 2008
Friday, March 21, 2008
Indian Art Expo 2008, a new begining in Indian Art Market
Vickram Sethi, gallerist, curator and entrepreneur, takes this first significant step with Art Expo India 2008, which brings together professionals from various branches of the art world: From galleries to framers, buyers to artists at the World Trade Centre March 14-16, it has been organised by the Trade and Technology Exposition Co (India) Pvt Ltd, established in 1987 as an exhibition organising company headed by Mr Vikram Sethi.
He has managed to bring together art galleries from all over the country, Sethi says, even though many are still hesitant. "They want to wait and see how this one goes," he smiles. Those that have signed up include Emami Chisel Art Pvt. Ltd. , Marvel Art Gallery, Karma Art Gallery, Archer , Ashok Art Gallery, Nitanjali Art Gallery, Arushi Arts Gallery, Art India Publishing Co. Pvt. Ltd, Art & Soul, The Osmosis Gallery, Institute of Contemporary Indian Art, Klakriti Art Gallery, The Art Trust, Ashish Balram Nagpal.
In time, Sethi explains, there will also be support services showcased at the Expo — insurance, valuation and more. Art supplies and artists' facilities are not being planned, at the moment. Sethi looks to this collection of industry-associated services being a huge success, since the art market in India is growing rapidly.
"It used to be NRIs buying art, but now every young couple wants to own something that they can be proud of," he says. And this is where they can start.Harsh Goenka and actress Dimple Kapadia cutting the red ribbon and inaugurating the show. Making their arty-hearty presence felt at this ‘making a business out of art’ affair were a number of the city’s gallery owners, artists and art dealers, who came to check out the various stalls and works on display. Artexpo India 2008, which ends last week, offered Mumbaiites a chance to mingle with art industry professionals from across India. Young Indian Artists like Chintan Upadhyay, Pratul Dash, Venkat Bothsa, Amitava Dhar, Sajal Patra, Kanta Kishore, Jamal Ahmed, Gadadhar Ojha, Anup Kumar Chand, Binoy Varghese,Jenson Anto,Pradosh Swain and Sanjeev Sonpimpare were hot favorite amongst all showcased and Ashok Art Gallery’s young artist representation was found most hunting place for all visitors.
Ashok Nayak
Curator and Exhibition Director
http://www.ashokartgallery.com/
indian art expo, indian art fair, Indian art market, Indian young artists
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Sunday, March 9, 2008
Artexpo India 2008 Mumbai
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Tuesday, February 26, 2008
Young Indian Sculptor at LAPIDIALES!
The Stone of CRAZANNES - the material that has been used to build the Château de VERSAILLES, the base of the Statue de la Liberté in NEW YORK, and so many other monuments, this stone that has been transported, long times ago, by boat on the Charente River (maybe with some barrels of Cognac ? The city of Cognac is not so far !), this stone that, strangely, is not porous and even becomes and whiter all along time, this stone, now, has a new life : the royalty is no more in France (but there is still Cognac !), the quarrymen are gone and have let place to artists : the old quarry is now transformed as a sculpture garden, an open-air museum
Since 2000, a French artist, Alain TENENBAUM has opened "LES LAPIDIALES" (in Latin, "lapidis" means "stone") to artists. This place is opened all year long but it is better to come between May and September: the residence program begins and during 5 months and you can meet artists from France and all over the world (Turkey, Russia, Zimbabwe, India) who come and work during some periods of two months. They work "in situ" according to one of the five themes of the site: water, the surface of the earth, the depths of the earth, the air, the fire.They work all day long, like quarrymen did before, but they have another aim: the transformation of stone into contemporary works of art.
It was in 2006 that Gadadhar OJHA, the only young Indian sculptor living in France, has heard the first time about the LAPIDIALES as he had participated to the 1st International Symposium of PEZENAS (in the South of France). 13 artists working on the unique theme "Message of the Body", but amongst these artists at least 4 of them knew already the LAPIDIALES. And it was enough for Gadadhar OJHA to have the will, the desire to go and see how it was: working in an old quarry, what a strange and wonderful project!
In September 2006, like every year, during 3 days, this was the "closing session" of the Lapidiales, so we came and met everybody: organizer, artists, and ... the site! And this is how it comes ... Your work is your visiting card, you are invited by one artist who had worked before (one artist can give two names of new artists), then you learn some weeks later that you will work at the LAPIDIALES! Says Gadadhar.
Gadadhar OJHA has worked in 2007, during May and June, on the part called "in the depths of the Earth" ... Two months in the part of the quarry where there is less light, where there is more humidity, where it is more cold, where people who come could not see you, because there are so many caves, so many ups and downs, that visitors forget to go to see where artists work what could be the dark side of the existence.
But in the depths of the earth, you don't know how life could be also interesting: first, when you enter on right side, you are invited by some gnomes surrounded with strange friends with strange smiles who invite you to one library where you find old books, and crane, and candles, and another crane, and an old pair of shoes (maybe from the artist of the ones of the skeleton, lying there, waiting ... ?). More far still in the right side of you, you can already saw also one big mouth with one woman emerging, from the throat, one big chain, you could be scared, but it is impossible because in the middle you see something else that show you the poetic part of existence.
Upon on huge black wall, suddenly you see one beautiful and peaceful human being, man? Women ? who knows ?, emerging from one lotus flower, showing to our eyes his/her half-nude body, the other part made by flesh, guts, intestine, heart, lung, brain ... And in the center, one flower.
But there, it is impossible to be afraid, because, you know that from flower comes life, that this wonderful human being born in a flower gives birth, at his/her turn to another existence that from the depths of earth came to existence.
Suddenly, in the dark, you could see light, because slowly your eyes get used to this place, you can see also the structure: this personage is filled by horizontal lines. Those lines that follow you since you open yourself to life: the horizontal line that guides you to the sun when you wake up in the morning SUNRISE, the horizontal line when you begin to write, the horizontal lines when you begin to learn. Lines that give also movement: is not a drawing a complex of lines jointed together? There, the lines give movement to this body, and even in the dark, light is caught by these lines. Come and see this strange vision with candles around him/her ... Shadows will make the body dance, will make the flower rustle ... and maybe, you will be able to see life in the depth of the earth? Those lines begin from the stone to go back through the stone. But where are they going? Gadadhar OJHA has all the answer at his work. And when I asked him Don't you ever get tired? He said, “I never do anything that is not in my nature. You don't ask the wind whether it gets tired of blowing or the sun whether it is tired of shining. This is because they don't do anything that is not in their nature. And the thing here is that there is not pretension. There is no covering up of a mistake. There is no point in trying to appear as someone you are not. These are the principles that make my Art very strong.”
And when we lead through such examples, through our own lives, it becomes really effective in other's lives also. People are moved by people, not just by principles. It's a ripple effect. Gadadhar OJHA lives and works in Paris.
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Thursday, January 17, 2008
Contemporary Art Exhibition Review
On the eve of 50th year celebration of Indira Kala Sangeet Vishwavidyalaya, Khairagarh, Chhattishgarh, India ,53 artists from visual art faculty who were studied their Fine Art from this oldest Indian Art Institution has displayed their exceptional works at Rabindra Bhawan Galleries II & III ,World renowned eminent master S. H Raza and Eminent Indian Poet/Art Critic/Writer Sh Ashok Vajpeyi has inaugurated the show When you walk through the gallery, you will find Ajay Kumar Mall has worked on the speed and intensity of his brushwork to create abstract oils on canvas while the 'Green Landscape' by Hukum Lal Verma displays a celebration of colour and line. Elements from the landscape begin to disintegrate with its remnants in the title. Spontaneity of working in the outdoors brings about the need for speed with the application and the inevitable breakup of the form. In the lucid watercolours of the landscape by Anil Khobragare, transparent pigments look for spaces to hold on to the paper in a play of flow and merge in the painting process. Struggle for space and control comes forth in the acrylics of Devasis Mukherjee, as the birds seem to find a way to synchronize rhythms of existence among themselves. Girja Kumar Nirmalker delineates and engages pigments in indicating abstract spaces within composition while landscape remains in the hidden strata of the painting. Jiten Sahu works on constructing the urban landscape in a series of buildup activity across the canvas. Freedom of the display of brushwork remains in the periphery of the constructed space. Looking for purity of colour in the abstract, mixed media works of Mahesh Sharma engages in not looking for the definite and the orderly, rather the build up of pigment forms the base for developing the work.
Fleeting moments manages to manifest in the abstracts of Yogendra Tripati in a residual of earth colours that play every so light on the canvas. Elements from the landscape remain in the works of Manish Verma with an alluring content for transition into the abstract. Retaining colours of the earth, the acrylic works modulate to the circumstances. Shubra Chand also works on this transition with layering of pigments. Fields of colour are set against each other in the work of Prabir Kumar Dalai. The formations allow for brilliance in colour to make representations across the fields. Using dry pastel on paper Rajesh Mishra indicates flowing lines of the dancers in an attempt to capture the moment of action in 'Khairagarh'. In the rush for existence, evasion of death seems to be the moment of realization in the work of Sukant Dev Burman. Futility in the exercise seems to be the prediction of a parrot in contemplation while a dove tries to stabilize the present. Destiny in the hands of the richness of environment is taunting enough to be in the outdoors, away from comforts of the home in the painting of Sunita Verma. Symbolic in representation, the chair makes up for the absence of the household.
Relishing in the possibilities of transformation, the chance for a new world that could take one into the imaginable, the harmless soldier stands in readiness in the fusion of the real and the unreal in the work of Adhikalp Yadu. In similar terrain, Anup kumar Chand looks for transformations in the chance for that change in reality of a consistent regularity in the environment. Anant kumar Sahu ponders over the world order in the etching 'After Third Worldwar'. Frailty of lines in the etching drives home the situation in such an event. Aspirations in the form of a flower come in the etching by Khemlata Dewangan in 'Dream Flower'. The jaded sunflower looks up to the challenge in the present set of circumstances as the individual is caught in a vortex of the dream. In the dreaminess of the landscape, the painting by Malay Jain allows for another side of the landscape, not necessarily in the real. 'Soldiers after a War' by Mahesh R. Prajapati repeats the introspection of the individual caught in the cacophony of war. Etching and serigraphy allows for fields of hard, opaque colour in combination with sensitivity of the line.
Symbolic and the representational find its place in the prints of Rakesh Bani. The beast has its ways of instilling fear and control over frailty of the mind. With a limited use of colour, the work gets accentuated in its scope of an expanding vision. Spatial play gets mingled with the symbolic in the work of Tikendra Kumar Sahu with dog days open throughout the year to make a livelihood for comfort as Sharad Kumar Kawre explores the representational through the digital medium of printmaking. Sheikh Hifzul makes use of transformation of imagery in the 'Kiss-III'. Decorative elements and motifs adorn the masculine and the feminine in an intimate moment of the imaginary. Use of adornment continues in the work of Sankar Sarkar in 'Gold Show'. Looking for an intervention into the consumerist pattern of the present day, the subject is laden with showpieces that have questions on its origins. In an intervention for a social cause, 'Last drop" by Sajal Patra makes a statement about non-availability of a basic necessity for sustenance. 'Camel' by Ravi Kant Jha extends the possibility of tranformation of the subject for relating to a thought, in this case being a performance. An untitiled etching print by Rabi Narayan Gupta captures a vivid cacophony of imagery of torment. There's a search for redemption in the midst of such chaos and vulnerability. In the midst of these works is a painting by Ritesh Meshram that allows a seemingly innocent play of line and colour.
'Five Friends in B.F.A', an Etching by Mukti Agarwal is open to interpretation as a set of 5 birds gaze in extreme numbness. The quality of printmaking comes through in the work of Priyanka Waghela under an overlay of acrylic paint. Floatation of the subject plays with a compositional necessity of the work. Amar Jyoti Sarma plays a 'Mind Game' with a set of coffee cups set against an individual in contemplation. Spatial play with the cups sets a sense of intrigue to the painting while the mask of a clown against a series of stairs in the work of Dharam Beer Kumar allows for interplay of meaning. A stylized cow is represented in all its readiness for a charming display along its path in a painting by Hareream Das. A sense of freedom and pursuit is seen embellished in the Bronze sculpture by Rajesh Sharma and Kishore Kumar Sharma.
This physical show will be on vew
Contemporary Art Exhibition Review : Ashok Art Gallery
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Sunday, January 13, 2008
Exhibition of Contemporary Art
50 Years Celebration
Indira Kala Sangeet University, Khairagarh
An Online Exhibition of Contemporary Art
‘FROM A PALACE’
At:Ashok Art Gallery
http://www.ashokartgallery.com/
From 16th Jan to 15th Feb 2008
All the participating Artists are:
Yogendra Tripathi,Vandana Parganiya,U C Misra,Tikendra Kumar Sahu,
Tarakant Parida,Sunita Verma,Sukant Dev Burman,Subhra Chand,
Shyam Pahapalkar,Sharad Kumar Kawre,Shailia Singh,Shekh Hifzul,
Sankar Sarkar,Sajal Patra,Ravikant Jha,Ritesh Meshram,Ratnesh Kumar Janghel,Ramji Dongre,Rakesh Bani,Rajesh Sharma,Rajesh Mishra,
Rajendra Sungaria,Rabi Narayan Gupta,Priyanka Waghela,
Prabir Kumar Dalai,Pawan Kumar Dewangan,Mukti Agrawal,
Monalisha Biswal,Manoj Kumar Sahu,Manish Verma,Malay Sunil Golchha,
Mahesh Chandra Sharma’shira’,Mahesh Chand Rai Prajapati,
Kuleswar Singh,Kuldeep Singh,Kishore Kumar Sharma,Khemlata Dewangan,
Jiten Sahu,Jayprabha,Hukum Lal Verma,H R Das,Girja Kumar Nirmalkar,Dharamveer Kumar,Debasis Mukherjee,Deepak Verma,
Anil Khobragare,Anup Kumar Chand,Anant,Amit Shrivastava,
Amar Jyoti Shrma,Akhilesh Kumar Kashyap,Ajay Mall,Adhikalp Yadu
Physical Show
Will be inaugurated by: Sh Ashok Vajpeyi(Eminent Poet, Art Critic and Writer)
On his 67th Birthday , on 16th Jan 2008 5 PM
At: Rabindra Bhawan Galleries II & III
Lalit Kala Academy, New Delhi, India
On the occasion of 50 years Contribution of
Indira Kala Sangeet Vishwavidyalay
Khairagarh, Chhattisgarh
You are cordially invited
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Friday, January 4, 2008
Contemporary Art Reviews : Mardi A Ahmed

Mardi (Mahruch) Ali Ahmed is a Canadian Artist and Poet, born in Pakistan with a German mother and East Indian father. She grew up in an Italian neighborhood and is presently living with her family on her little farm tucked in the Rainforests of British Columbia on First Nations (Native Indian) Land. With the Rocky Mountains at her back and the Pacific Ocean at her toes Mardi spends part of each day roaming the forest trails with her dogs. Nature , and the patterns hidden within are her inspiration. Her talent lies in her fluid translation of thought into physical form. Self-taught, Mardi only began painting seriously in 2003. She has developed at an accelerated pace, no doubt aided by her genius aptitude for spatial mathematics.
Mardi’s large, bold works showing at Ashok Art Gallery engage themes of the balance of masculine and feminine energies – the organic and the structural – the fluid and the static. Waves, spirals and helixes resonate with her love of physics and quantum theory. Mardi is also the author of a proposal for a World School of Peace, inspired by her work as a foster parent for 40 youth, the proposal is endorsed by H.H. the Dalai Lama and Dr. Robert Muller, founder of the United Nations University of Peace. Mardi hopes that one day, her art will aid philanthropic work globally.
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Friday, December 21, 2007
Contemporary Art Gallery News:Art Exbhibition Reviews
'CONTEMPORARY INTERNATIONAL ART EXHIBITION'
Curated By: Ashok Nayak
november 2007
india habitat centre
lodhi road, new delhi,
india
First time in Indian Art Market, presenting the most debated women artist from Pakistan Amna Ilyas , the young women painter from Udhampur who is drawing a lot of attention, Kanchan Verma , the lovely lady with a amazing art skill from The Nederlands Thea Walstra and the eminent artist from USA Ruth Olivar Millan
All participating artists are : Amna Ilyas, Jayadev Biswal, Sanjoy Bose, Ajay Mohanty, Rohit Supakar, Pradosh Swain, Kanchan Verma, Kanta Kishore, Shiba Prashad, Sujat Pattanaik, Debashis Chakraborty, Ruth Olivar Millan, Sambit Panda, Anasuya, Thea Walstra
Ashok Nayak
Curator, Exhibition Director
www.ashokartgallery.com
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Sunday, November 11, 2007
Art Exhibition Hosts Artist from Pakistan, India, The Netherlands and USA
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Thursday, November 8, 2007
Emerging Young Artist Pratul Dash

When I asked the most debated emerging young artist Pratul Dash about his artistic journey, he replied me with a quote ‘There will be a vital role of an artist to uplift the society’. He said although I live with my family with all responsibility, I always well aware of my real mean of living and Standing between the Heaven and the ground , Wanting to move forward and to stay down. Yes, he was absolutely right with his word, this year he has exhibited his works at several major exhibitions worldwide,and also become a happy father with a very sweet and cute baby girl, besides many exhibitions at India, his works are exhibited at USA and UK thrice this year with a great response. Every time works are just sold out at the first day of opening. His works are filled with fine detail, looks at life through various different levels, his bird, living in the hollows of the scaffolding claims this space as much as his home as any human does. Pratul Dash graduated with a BA & MA in Fine Art and was awarded an art Scholarship. He was also awarded by the Industrial Literature Society, Italy, won the M F Hussain Award, Delhi, Silver Jubilee award Orissa to name a few. His works are amongst many prestigious collections, both private and corporate throughout the world.Once he said,” i am a response, a series of other colors strung together tied by reaction and emotion, memory and experience, resisting or embracing, based on my days on earth....” Pratul works and lives in New Delhi, India.
Contemporary Art Review: Ashok Art Gallery
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Saturday, October 6, 2007
Women painter who is drawing a lot of attention ,Kanchan Verma

Is it true that another Amrita Shergill has introduced at Indian art? Another woman artist this time is Kanchan Verma. Immensely talented, she has created a huge volume of art works and She is creating more wonderful art works regularly now. Her works show colorful women drawn in realist and impressionist styles sometimes. Kanchan Verma is a young Indian women artist from Kashmir valley.She is living surrounded by every beautiness of nature and it reflects thoroughly at her works.Kanchan Verma’s work are deep symbols of women and a rich sea of colours that show a way to reach into the unconscious mind that is very vital. The symbols are highly concentrated and therefore are not to be interpretated in a near sense but give way to sophisticated interpretation. Her works enforces you to read your society and your background through her works with the baggage of those expectations and experience. We all know that political and cultural distinctions provide attraction, but there is the high danger that people just engage with a cultural mask in the end. I believe the banality of play between reaction and art can be more genuine. Work as form and its interrelation with people as consciousness is what counts.
All the six works are showing at Ashok Art Gallery interpretes the artists soul as an e.g. naturalistic picture or naturalistic dream, because there swing with so much connotations that are taken into account now and find a way out of the soul. Generations have peered at Kanchan Verma’s Artistic jurney.vew and wondered about its dark secrets. But now, after its creation, She believes she has the answers to its riddles. In contemporary India, there are many women painters who are drawing a lot of attention. And Kanchan Verma is one of them for sure.
Contemporary Art Reviews : Ashok Art Gallery
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Wednesday, September 19, 2007
Compassion in Contemporary art
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Sunday, June 10, 2007
New Concept in contemporary art:Lady Artist showing her amazing skill

The human world has always been changing, but the pace of change seems to have picked up dramatically in the last decade or two, with no stability visible on even long-range scanners. Rapid change is obvious in all of the technological, political, business and social fields, and there are changes in our environment and ecosystem that are probably caused by this increasing human activity.The works of Satyabhama Majhi says everything about this changes. She also conceptualize fictional entities. She imagine structures, and make them. mental space includes many imaginary items. She uses shared mechanisms for storing abstract knowledge, and build on these abstractions to develop and share more abstractions works of art.But there are other limitations to inventiveness. No one could have imagined most of today's technologies in the 10th century because even the basic building blocks for the concepts didn’t exist then..After vewing her work one can say ,it is a real artistic expression ,how everything is changing with increase of populations.She is brilliant at handelling it into her canvas and her work gives a strong message .Absolutely it is rare to find such talent now a days.
Fine Art Review: Ashok Art Gallery
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Wednesday, May 16, 2007
Contemporary Artist working in a new technique

Banoj Kumar Mohanty is one of the most talented upcomoing young artist in Indian art market.Coming from small town to world class cities ,artist has adapted urban culture on his works so neatly, with his own style and techniques.he has amazing art skill with creating different techniques,he is using different daily usable things,like paper,foil,pastel cotton and water color.His subjects are minimal and expressions are of broden vew.
And yet, on its own semi-uncomfortable terms, Banoj is fascinating, its quality, world and soul elements colliding and caroming off one another in endless succession, its cool grooves streaming by like dreaming on fantasy waves.Although his expressions are semi abstract,but he uses human forms to add reality touch There might be paradise in any of the places this artist, just off the main road from established genres and watching , but you get the sense that Banoj don't live there long enough to find out more experiments,he is coming with some magnificent acrylics.He is undoubtly one of mainline upcoming fine art star to looking for.
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Wednesday, April 18, 2007
Art Reviews:Painting Release:Tapan Dash

Tapan Dash’s reputation as one of India’s most significant young painters is based on a consistent and prolific output of work over more than one decades. His disciplined practice is characterised by oeuvre attests to a constant interchange of ideas and motifs. No single painting tradition has evolved in isolation; so this body of contemporary work burgeoned from hybrid seeds, incorporating diverse aesthetic influences into an extremely vibrant, mobile genre...at once inspired and original. Allegorical and surrealist, his works, based on drawing and rhythmic line, reveal the imagination and zeal of the artist’s consciousness. There is a freedom of expression, a release from techniques of classic, material traditions of art, resulting in a dynamic dialogue of intersecting and tangential facial features and limbs.Characteristically, many of his portraits have multiple visages, , Cubism and German Expressionism. The figures are never immobile, highly vivid reflecting the intensity of their moods, effected through exaggerated features and body positions and possesses a vital inner life. Certain contemporary elements are derived from traditional art forms and motifs found in Tapan Dash’s art, the form is used to establish relationships and is varied in both positive and negative forms so that an ambiguity between figures and ground is created. This gives the painting life.
Rhythm, repetition and symmetry play an important role in Tapan Dash’s work to establish this optical pulse of life and movement. Similarly, his judicious use of colour creates harmonies and contrasts that recall the inner sensual organs active and steps forward towards a rhythmatic peaceful jurney.
Fine Art Review:Ashok Art Gallery
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Monday, April 9, 2007
Sculpture review:Gadadhar Ojha

By inviting to create sculpture for our next proposed show,one of our mainline artist Mr. Gadadhar Ojaha,the only young Indian artist/sculptor living in Paris,France has updated me about his last year projects and all other completed works. Undoubtly sculptors have an important role to offer a sense of wonder and the miraculous to a world that lacks it.Artist Mr Gadadhar Ojha has said about his wonderful experience of working with all other international artists at paris.I have amazed when he showed me the lil video footage and photographs of his last work.Ahh..It is a huge Sculpture,the texcture,patterns and the overall contemporary forms are just superb. Although the decline of the 'romantic' notion of the artist and speculating about a new conception of the relationship between artist and society,but his works are contemporary figurative sculptures created in the expressionist tradition.Somebody argues that art is man's defnese agains insensitivity. Hehe,it’a clearly a comment on the lack of wonder and beauty in much contemporary art. The work never explicitly references walking, yet it invokes the physicality and psychology of this common activity. Small, sequential movements, each like the one before, create an impressive cumulative effect. Just as thousands of steps constitute a long hike.
Sculpture Reviews: Ashok Art Gallery
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Tuesday, March 27, 2007
New Release:Recent Painting of Artist Pratul Dash

New Release:Recent Painting of Artist Pratul Dash
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Pratul Dash has been witness to the burgeoning growth in the cityscape encroaching on vast open spaces. Wrenched away from the simple way of living in his native village in Orissa where he enjoyed the flora and fauna found in plenty over huge tracts of the landscape, it was a huge change to be confined in the metropolis like capital city New Delhi. In his recent work "The Red",Artist Pratul Dash shows the inner contrast feelings towards a rhythmatic cosmic sequence.Moving side by side or up and down "The Red" feeling captures all the innocence.At our last meet he has indicated about some serious work series,i am very exited,"Artists are always serious".
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Saturday, February 3, 2007
The dijected dusk ,An Exposition of Paintings from Living Master Baladev Moharatha(chitradev)
Exhibition will open for public from 1st Feb 2007- 5th Feb 2007
At: Palm Court Gallery, India Habitat Centre, New Delhi, INDIA
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Friday, January 12, 2007
LIFE OF A DOUBLE new release video by artist pratul dash
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Monday, January 1, 2007
Leasing The Good Life with Art.

The enormous speed by which Art media reach previously isolated cultures around the world catalyzes a rapid integration of visual and media languages across the Art world. There is a need to understand not only ethnic cultures and the vocabularies of their traditional media, but also how these cultures and languages transform and are being transformed by Art, especially Fine Art. What role do Art Galleries play in the connected global context?
Art on Global Eyes, the Eyes at 2007 on Ashok Art Gallery, is accepting submissions of artwork that expand our humanity by extending our awareness of people and nature. Wearing these new digital "glasses," how do we see each other and our world in alternative ways?
We are looking for works that:
Illuminate the role digital media play in shaping, extending, and reflecting world views on Art and cosmologies.
1.Address ecological, social, and political issues in imaginative,innovative and peaceful ways.
2.Foster respect, tolerance, and empathy among people and nations.
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