Tuesday, September 22, 2009

Our pride Possession: Chandrasekhar Rao (1940-2004)


Masters @ Ashok Art Gallery : Chandrasekhar Rao (1940-2004)
Chandrasekhar Rao was born in a small village of Polasara in Ganjam district of Orissa. As a Handicraft Designer, Chandrasekhar created 4000 creative designs from the existing patterns of the tradition. His association with the traditional craftsmen of different trades brought him near to their crafts as well as life. Chandrasekhar Rao was trained in the Indian Painting (Shantiniketan style) from Government Art College at Khallikote and possibly worked under the best of Gurus those were available in Orissa. While learning the art of painting, he was much into depicting the mythical subject matters to start with and later moved on into unexplored areas of human life, nature and their relationships.

Looking back at Chandrasekhar’s life, he seems to be comfortable with the immediate village environment and its habitants, and they are his chief protagonists through out, whether it is a rendering of Gita Govinda or Krishnalila; Village pond or a portrait or any subject matter for that matter. I am privileged to be with him, observing him closely, in life and on work. Every bit of experience is artistic; as he explains, ‘if you want to exaggerate a curve in a figure, just try it yourself to a maximum stretch and never beyond because bending, twisting, stretching or any thing of similar type should not affect the rhythm of the form, and it applies to a smile, yes’. One of the characters of his painting is line and one can see the beauty of an comprehensive line from one end of the tassar canvas to the other, breaking free- one rhythm, one stop respiration and the form emerges from it with tremendous force and energy - a real unique signature.

Colours and compositions were derived from Orissa and its several art forms. His introduction to the handicrafts, as being the Designer, helped him to acquire more knowledge and he transformed the cultural forms in contemporary art equally intelligently. Many artists, we have seen searching for the title after the composition and its validity, but Chandrasekhar always knew what he was doing. He never painted the elements or composed; he rather lived, enjoyed and interacted with the forms in the painting, making it a part of the entire scheme. Precisely, he was one of those painted characters who lived out of the canvas, with us and his family.

Many artists, toward the last phase of his life, started to criticise his work as a standard (as in ISI) falling short of understanding his ideas and creativity. Some have started to imitate him for livelihood and saleability even after knowing that his works cannot be replicated, but Chandrasekhar Rao was the one who lived above these petty state of affairs during his life, and will always remain out of reach of such traumatic human behaviour. He was with us all till 2004.

Chandrasekhar Rao’s achievements include, besides being the Handicraft Designer, an art teacher (for children too), the Chairmanship of Working Artists Association of Orissa. He has received Awards by State Lalit Kala for four times; Academy of Fine Arts, Calcutta; AIFACS, New Delhi; Bombay Art Society, Bombay; SCZCC, Nagpur; and many more. He has exhibited in Museum of Fine Arts, Chandigarh; Rashtriya Lalit Kala Kendra, Bhubaneswar; Bajaj Art Gallery and Jehangir Art Gallery Bombay; Crimson, Bangalore; Birla Academy of Art, Kolkata and many more.
This special collection has came directly from his son Sri Tarakeswar Rao, collected and available at Ashok Art Gallery.

The Ashok Art Gallery is internationally known for one of its most important holdings: more than 2000 major works by the world's most significant Artists.Over the past years, as Ashok Art Gallery has become a major centre for contemporary visual art, the Gallery has built a strong collection of contemporary work of different artists, we became a sponsor of the STANDUP-SPEAKOUT Artshow, Organized by Art Of Living Foundation and United Nations.Organized an International Contenmporary Art Exhibition including artists from USA, The Nederlands, Pakistan and India.We have also participated at Art Expo India Mumbai and India Art Summit New Delhi.

Saturday, September 19, 2009

Sajal Patra has experienced the nature intimately and successfully moulded the political and societal subjects with their own shifting character.



The trend of contemporary art is changing and several makeover trials are in place where artist reframe his ideas in the format of rediscovering the self. Artistic transformations happen naturally but it might just be enforced in order to achieve certain purpose, while in the later the risk is considerably high. Turning the course of imagery in order to produce effectively throws new challenges before the artist. Often in contemporary, what we have seen is the fresh interpretation of the common subject; the one that we are associated with closely and familiar with the environment very dearly; comes in as a refreshing surprise to many.
VISIT SHOW ONLINE
Beyond The Border an exhibition of Sajal Patra showing the work Spiritual Journey is one such painting, which depicts a ‘key’ on the left wall of the ghat that was left by the spiritual guru that symbolises the key of the world. The key here refers to the key of the mundane world that remained with the person till his spiritual journey begins. This conceptually reminds one, of the renaissance painting The Delivery of the Keys by Perugino in the Sistine chapel. The only notable difference was the absence of the human beings in Sajal Patra’s painting and similarity is the significance of the key. This narrative is a symbolic representation of Indian culture achieved through the vitality in a contemporaneous way. Keys seem to have fascinated Sajal in many ways and Mother Key is the other of its kind, symbolising mother to hold the solution to all the problems that surround the family and its affairs. Mother Key is a story that is told with simplicity and subtlety in an explicit manner through visual representation.

Sajal has experienced the nature intimately and successfully moulded the political and societal subjects with their own shifting character in time. Beyond Border is another example that cleverly finds a puppetry arrangement to the Indian border issue. It describes the cultural affinity that India has with its neighbour Pakistan and how politics overplays the issues. This demonstrate how human feelings turned slave through the containment of human values by the leaders (so called). The story is not fresh and it is believed to have been addressed by all medias, but the pathos Beyond Border contain, speaks of the suppressed truth somewhere touching the human life. Mother and Child is a unique combination of calf and trucked mother’s (dairy) milk. This interesting subject directly deals with the trading of milk that has somehow left the calf wondering for her mother. Somewhere down the line it seems while managing he man’s need, man has forgotten the nature of the animals that needs attention too.

Sajal’s journey from Ranchi through Bhubaneswar to Delhi has been equally interesting and it has impressed him with multi-faceted experience and exposure to the environmental conditions and the visual cultures too. His interaction with variety of people through this part of eastern India has intelligently placed in the visual version. Sajal Patra has matured with every trick of the trade and these works reflects his conceptual interpretations wonderfully well. Represented by Ashok Art Gallery , his works have been showcased at all Indian major art festivals and fairs, some of his works has been collected by international art collectors, as per his dedication towards creating Art works and on the value of his supreme artistic skill one can effortlessly say that he will be one the future perspective of contemporary Indian Art for sure. Sajal Patra works and lives in New Delhi, India.
Dr. Pradosh K. Mishra(art historian)
Associate Professor BHU



The Ashok Art Gallery is internationally known for one of its most important holdings: more than 2000 major works by the world's most significant Artists.Over the past years, as Ashok Art Gallery has become a major centre for contemporary visual art, the Gallery has built a strong collection of contemporary work of different , became a sponsor of the STANDUP-SPEAKOUT Artshow, Organized by Art Of Living Foundation and United Nations.Organized an International Contenmporary Art Exhibition including artists from USA, The Nederlands, Pakistan and India.We have also participated at Art Expo India Mumbai and India Art Summit New Delhi.

Wednesday, September 16, 2009

Kanta Kishore has picked the popular slum with a different perspective that essentially deals with the core of the subject


KANTA KISHORE

Slums in Neighbourhood

Artists are exploring new media and techniques to convince the viewer in the present day. The range of subjects that the artist deals with today is intriguing and relevant. Indian art seems to have transformed from modesty to market and the journey has been interesting too. The turning points of art here depend heavily on the attitude of the artists and what we have noticed is the increase in the intellectual input with passing time. This has carried us forward from the agreement of the narratives in mythology and epics to negotiating society to human awareness of several factors. Our surrounding and social concerns have always motivated us to a new high. Kanta Kishore is no exception.

Kanta Kishore has picked the popular slum with a different perspective that essentially deals with the core of the subject. The effort by the dwellers to construct the beautiful and magnificent in the city remains in the most neglected part of the earth. Their struggle for existence depend on adversities of life and in the process, they sometimes smile up to their success, which is rare, and rest of the times, lament over their survival. In all these conditions, a pair of sleepers perhaps allows them to retain the honour of human while addressing the rough patches leading to life. The chaos of arrangement also depicts the lifestyle of people inhabit. However high or low they might go individually but collectively they remain intact to the nails that bind them to the ground. The insiders story of constructing a world imagined for the other rightly develop the concept of living.

The composition has deliberately caught our concern for the slum and its dwellers. The symbolic is apparent, expressive and transformed; it suggests the simplest of material in high coordination with installation art. The painting complements to the installation by making it look obvious and illustrative. Kanta Kishore has seemingly taken a defensive position in portraying the subject though several aggressive pointers are available to us. The approach to the subject is worth admiration. The awareness to uplift the downtrodden needs more application both politically and socially. The change is coming at a slow pace and it would appear significantly in future. The makeover through the artistic expression is to the concern is remarkable.
Sculpture Review by Dr. Pradosh Kumar Mishra(Art Hostorian)
Watch out for this growing talent in Art Expo India: Kantakishore Moharana


The Ashok Art Gallery is internationally known for one of its most important holdings: more than 2000 major works by the world's most significant Artists.Over the past years, as Ashok Art Gallery has become a major centre for contemporary visual art, the Gallery has built a strong collection of contemporary work of different artists.
Last year we became a sponsor of the STANDUP-SPEAKOUT Artshow, Organized by Art Of Living Foundation and United Nations.Organized an International Contenmporary Art Exhibition including artists from USA, The Nederlands, Pakistan and India.We have also participated at Art Expo India 2008 Mumbai and India Art Summit 2008 New Delhi
.

Friday, September 11, 2009

‘The habitation in nature’ SOLO SHOW of Pradosh Swain’s recent works at Ashok Art Gallery


Any work of art for that matter has certain ideas to deliver, but this seems to have engaged the viewer with more than one implication. Initially aimed at presenting the environmental issue, that is one of the phenomena, quite clearly depicted by many artists of the present day. It is uniformly received by the politicians, sociologists, scientists and artists as well. ‘The habitation in nature’ an exhibition showing Pradosh Swain’s recent works at Ashok Art Gallery.

VISIT SHOW ONLINE

Concrete Demon illustrates a typical and unusual scene, amazing and interesting too. The manuscript unfolds to release Lord Rama with his attributes, bow and arrow, to kill the concrete mixture that is commonly seen at the construction sites. It has several layers of implication: dwelling between tradition and modern, oppression and liberty, nature and environmental hazard, mobility and stillness and so on. It presents a feeling of awareness and concern.

Rama, the maryada purusha, as he is commonly known and we believe had a genuine understanding of nature as he lived his significant part of life within nature, interacting with various aspects and adopting several laws of natural world. He is seen liberating the self to take on the direct fight once again with the demonic form (concrete mixture = Ravana) to bring back peace to the mankind unaware of the fact that in this corrupt world, what wins is not the environment but the brokers of nature, while the sufferer is entire world.

In the present day, Rama has become the source of inspiration to many; politically, environmentally, culturally, as people have conveniently adopted him. Now he has been reduced to a manuscript as an abode, cultivating the nature within the parameters of palm leaf. A simple narration that recreates the Rama in Odissi Pata painting form and symbolically covering him with the foliage, to relate nature in him; palm leaf as a major and popular medium in Orissan traditional art is placed intelligently to show the manuscript and a horrifying background depicting the uncertainty of human life. The composition is poised with intellectual input and social awareness.

The world is changing and also the attitude of man. Travel is part of human being’s life. With every passing day more and more information regarding the destinations are reaching us motivating us to explore the new area of substance. Reasons of such moves are many, ranging form family holidays to corporate leisure. Many natural sites are revisited and new sites introduced to us. We move from place to place encroaching the nature’s domain and without even being careful. Often we ignorantly spoil the nature and sometimes become more adventurous in misusing the resources. This has resulted in the natural devastation and we can feel the heat of global warming all through the globe. We have started paying the price for someone else’s fault. Towards Wind seems to present before us the nature that is supposed to nurture us, our lives and motivate our minds, inspire us to face new challenges, has now started throwing new challenges to us pointing its protection and expecting a little compassion and love for itself. We have reached a pitiable condition, where no road leads ahead.

A time would arrive when we would need a fan painted with nature (allegorical) in a hill top (station) to satisfy us from heat. The extent, as the artist has pointed, might go up to reaching near to the fan blades to occupy the most of air the fan delivers. The message is clear and loud, save it (nature) to be a part of it or stay alone to die hard.

The cities are now developing fast and at a disagreeable pace. The requirement of man is getting wider day by day. To achieve these desires one makes compromises with the nature, its habitants and the balance. We have significantly converted the animal’s bay purposefully to suit our ideals. So every other day we hear news about tiger creeping in to village and start shouting about the facing new danger. Rationally we have threatened their habitation in nature. The spread of the cities never care about the essential ‘other’. Fisher in Metro is just about that. In the image showing the kingfisher (namesake) sitting on a basket ball net (replacing the tree branches) and concentrating on a swimming pool (replacing the village pond), which is temporarily set on a spatula (showing its position), while a young woman is diving into the pool. This visual narrates the reality; of how the cities are facing structural conversion everyday, the danger of scarcity facing us today and its horrifying future and similar struggle.

Pradosh Swain has attempted global issues in simplest and readable visual term. What interests me is his concern about nature and its protection in order to avoid the Global Warming. ‘The message is not new’, as he explains, ‘and it is not educating too. I just paint to define my understanding of the subject’. He adds, ‘much has been spoken and delivered visually by the NGOs and similar volunteer organisations to mass through electronic and print media. But artist has his own creative view point that sometimes visualises the imagined future’. Let us not make big promises that are difficult to keep but small acts that are easy to follow in order to upkeep our environment. Is someone practising! Pradosh Swain works and live in Delhi, India.

Dr. P. K. Mishra (Art Historian)
Presently Serving as Associate Professor, BHU


The Ashok Art Gallery is internationally known for one of its most important holdings: more than 2000 major works by the world's most significant Artists.Over the past years, as Ashok Art Gallery has become a major centre for contemporary visual art, the Gallery has built a strong collection of contemporary work of different artists.
Last year we became a sponsor of the STANDUP-SPEAKOUT Artshow, Organized by Art Of Living Foundation and United Nations.Organized an International Contenmporary Art Exhibition including artists from USA, The Nederlands, Pakistan and India.We have also participated at Art Expo India 2008 Mumbai and India Art Summit 2008 New Delhi.

Wednesday, September 2, 2009

Art Expo India 2009 will act as a window to peep into Indian art and its growing Market



After a significant fall in art prices last autumn, domestic as well as international galleries are optimistic about the contemporary art market. Experts predict a sooner than expected, however, a gradual recovery.

According to ArtTactic, a market research firm, the market sure has strengthened after a noticeable drop in average prices for contemporary Indian art at the recent auctions (roughly 76% during the period of September 2008 and March 2009). Average auction prices for Indian art are currently at around $24,536, up from the lows of $13,827 in March 2009.

In an effort to add momentum to the recovery, Art Expo India 2009 is bringing together the country's largest fine and popular art galleries, art dealers, artists, experts and art publishers. Apart from thousands of quality art works by Indian artists, it will include international galleries that will bring works from their top . Art Expo India 2009, in a way, provides art investors and collectors a cross section of Indian and world art.

Their spontaneous response suggests that most exhibitors are keen on showing their best works in the financial capital of India. They want to use the fair as an opportunity to develop a network, add to their contacts, enhance collaborations and gauge the mood of the domestic market.
From 25‐27th September 2009, the cosmopolitan financial capital of India, Mumbai will be hosting the celebrated Indian contemporary Art Expo. Leading Indian and nternational art galleries will be taking part in this event. The Art Expo promises to be a significant cultural and social event in the Indian Subcontinent. The discussions at the Art Expo feature prominent international art world personalities including Kay Saatchi, Judith Greer, Princess Tatjana zu Schaumburg‐Lippe, Kirsty Ogg and many other Museum curators, consultants and collectors. Now in its 2nd year, it is the largest art fair devoted to modern and contemporary Indian Art. Organised at the Nehru Centre in Mumbai, this year’s show exhibits a wide mix of cutting edge, eclectic and exciting art works. A series of interactive conversations with experts will demystify the language & knowledge of art to visitors.
The Art Expo India is a high profile meeting ground for art dealers, galleries, artists and collectors. This expo has popularised Indian contemporary art across cultural, social and economical boundaries in India and internationally and plays a catalytic role in building a market for contemporary Indian art both in India and globally. It is a high end shopping event presenting a wide array of works by famous and upcoming Indian artists. Publishers, dealers and gallery owners will showcase cutting edge work in different media ‐ from paintings and sculpture to prints and photography. The exhibition holds the largest gathering of art professionals in India and is the only place where one can meet thousands of new collectors and artists on a one‐to‐one basis.
Over 10,000 art lovers including collectors, buyers and corporate decision makers, high net worth individuals, leading Indian business families, CXOs from different multinationals and celebrities from Bollywood will be attending this prestigious social event in the Indian art calendar.
Featured Speakers at the EXPO Kay Saatchi will be delivering the keynote on spotting young talent and building up an art collection.

Some of the other renowned and featured speakers are:
1. Judith Greer ‐ International art collector and author
2. Kirsty Ogg ‐ Co‐Curator of The White chapel gallery
3. Ranjit Hoskote – Contemporary Indian poet, art critic, cultural theorist and
independent curator
4. Jitish Kallat – Dynamic and acclaimed worldwide, Indian Contemporary artist.
5. Sharan Apparao ‐ India’s leading contemporary art gallerists producing
exhibitions in Delhi, Mumbai and Chennai
6. Menaka Kumari Shah – Christies Representative for India
7. Dr. Alka Pande – Consultant Art Advisor, Curator of Visual Arts Gallery at the
India Habitat Centre in New Delhi and a prolific writer on Indology and art history
and author of several well‐acclaimed books.
8. Satish Manashinde ‐ Renowned lawyer
9. Anjolie Ela Menon – India’s leading contemporary female artist. Her paintings
are in several major collections
10. Bose Krishnamachari – Famous multi‐disciplinary artist who has exhibited in
numerous solo and group exhibitions internationally
11. Shantanu Poredi – Renowned architect. Designed many interesting international
and Indian projects
12. Rajshree Pathy – Eminent entrepreneur and businesswoman and Art
Connoisseur
Visitors will include art collectors, connassiours, architects and interior designers, buyers and corporate decision makers. These important visitors will be specially invited to attend the show. At least 20,000 quality visitors are expected.

Exhibitors of ART EXPO INDIA 2009

Apparao Galleries Madras, ICIA Mumbai, Sakshi Mumbai, Latitude 28 Delhi, Jolrong.com Singapore / Bangladesh, Indian Art Ideas Delhi , Dhoomimal Gallery Delhi, Art Musings Mumbai, Art Seefeld Switzerland, Gallery Beyond Mumbai, Ishka Cochin, Priyasri Art Gallery Mumbai, Sara Arakkal Banglore, Ashok Art Gallery Delhi, Gurgaon Art Centre Delhi, Art Inc Delhi, Wonderwall Delhi, Pink Ginger Arts, 1x1 Art Gallery Dubai, Marigold Fine Art Delhi
Despite the recession and the subsequent fall in prices, experts feel the market for fine art is still very strong, though not as hyped as it was a couple of years ago. Importantly, long term collectors want to use this phase to build on their portfolios. Especially, a host of investors-individual as well institutional- from European and American art circuit are looking to add Indian art to their collections. For many of them Indian art is still new. Art Expo India 2009 will act as a window for them to peep into Indian art

The Ashok Art Gallery is internationally known for one of its most important holdings: more than 2000 major works by the world's most significant Artists.Over the past years, as Ashok Art Gallery has become a major centre for contemporary visual art, the Gallery has built a strong collection of contemporary work of different artists.
Last year we became a sponsor of the STANDUP-SPEAKOUT Artshow, Organized by Art Of Living Foundation and United Nations.Organized an International Contenmporary Art Exhibition including artists from USA, The Nederlands, Pakistan and India.We have also participated at Art Expo India 2008 Mumbai and India Art Summit 2008 New Delhi.