Showing posts with label art market news. Show all posts
Showing posts with label art market news. Show all posts

Monday, December 31, 2012

2013! Ashok Art Gallery wishes a Happy and Prosperous New Year!


As 2012 draws to a close, it feels like a one-step-forward, two-steps-back kind of year.To all our "Smart" visitors: We send you all best wishes for a healthy, happy, safe and prosperous (so we can all buy/create more art works) new year. Here's hoping that 2013 brings only good things. We appreciate you all; you are the best! HAPPY 2013

The Ashok Art Gallery is internationally known for one of its most important holdings: more than 2000 major works by the world's most significant Artists.Over the past years, as Ashok Art Gallery has become a major centre for contemporary visual art, the Gallery has built a strong collection of contemporary work of different artists, we became a sponsor of the STANDUP-SPEAKOUT Artshow, Organized by Art Of Living Foundation and United Nations.Organized an International Contenmporary Art Exhibition including artists from USA, The Nederlands, Pakistan and India.We have also participated at Art Expo India 2008, 09 Mumbai and India Art Summit 2008 New Delhi.

Wednesday, July 11, 2012

Art is portable and liquid, and can be traded in different currencies, Unique works are not always the record-breakers, here is top ten of this season


The top end of the art market appears to keep climbing, despite fresh crises in the currency and banking markets and ongoing turmoil in the Eurozone. The geographic concentration of wealth has expanded, too, and this is having an impact on traditional investments. In newer econ­omies with more volatile, or less mature, financial markets, the rich spend more on luxury assets, including art, jewellery, wine and cars. According to a recent survey of 2,000 of the world’s super-rich individuals by Barclays Wealth, respondents in the United Arab Emirates hold 18% of their wealth in such assets, closely followed by the Chinese and Saudi Arabians (both 17%) and the Brazilians (15%)—compared with 9% of Americans, who tend to focus on more traditional investments. 


Buyers from China and Qatar are entering the trade at this luxury level: they account for at least a quarter of the top 20 works sold at auction. There has been a parallel boom in private sales, including the reported $250m acquisition of Cézanne’s The Card Players, around 1893, by Qatar last year. The expansion is not without problems, however. One of the most expensive works to sell at auction, an 18th-century Qianlong-dynasty porcelain vase that went for £51.6m ($83m) in 2010 at Bainbridges Auctions in England, is a record only on paper—the buyers have yet to pay for it. 


It has been a tumultuous spring in the auction world, with sales of truly spectacular artwork punctuating much mediocrity. As many have pointed out, there is something of a split in the art market, with the freshest, most sought-after blockbuster work going for record prices -- qualities shared by all the works on this stellar top-ten list -- and the merely pedestrian languishing in salesrooms at or below their estimates or, worse, not selling at all.Here is the top ten auction lots of the spring season...

Impressionist and Modern Art Evening Sale
2 May 2012, Sotheby's


Lot 20
Edvard Munch
The Scream
1895, pastel on board in the original frame
Price Realized: $119.9 million


Courtesy Sotheby's

Post-War Contemporary Evening Sale
Christie's, 8 May 2012


Lot 20
Mark Rothko
Orange, Red, Yellow
1961, oil on canvas
Price Realized: $86.9 million

Courtesy Christie's

Contemporary Art Evening Sale
Sotheby's, 9 May 2012


Francis Bacon
Figure Writing Reflected in Mirror
1976, oil on canvas
Price Realized: $44.9 million

Courtesy Sotheby's

Contemporary Art Evening Sale
Sotheby's, 9 May 2012


Roy Lichtenstein
Sleeping Girl
1964, oil and magna on canvas
Price Realized: $44.9 million

Courtesy Sotheby's

Contemporary Art Evening Sale
Sotheby's, 9 May 2012


Andy Warhol
Double Elvis [Ferus Type]
1963, silkscreen ink and spray paint on canvas
Price Realized: $37 million

Courtesy Sotheby's









Impressionist & Modern Art Evening Auction | June 19, 2012 | Sotheby's London 




Lot 10
Joan Miro
"Peinture (Étoile Bleue)," 1927
Price Realized: $36.9 million

Courtesy of Sotheby's

Post-War Contemporary Evening Sale
Christie's, 8 May 2012


Lot 34
Yves Klein
FC1 (Fire Color 1)
1962, dry pigments and synthetic resin on panel with artist's frame
Price Realized: $36.5 million

Courtesy Christie's

Post-War and Contemporary Art Evening Auction | June 27, 2012 | Christie's London 




Lot 9
Yves Klein
"Le Rose du bleu (RE 22)," 1960
Price realized: $36.8 million

Courtesy of Christie's Images LTD. 2012

Old Master & British Paintings Evening Sale
3 July 2012, Christie's London


Lot 37
John Constable
The Lock
Oil on canvas
Price Realized: $35.2 million

Courtesy Christie's

Post-War and Contemporary Art Evening Auction | June 27, 2012 | Christie's London 




Lot 25
Francis Bacon
"Study for Self-Portrait," 1964
Price realized: $33.6 million

Courtesy of Christie's Images LTD. 2012







The Ashok Art Gallery is internationally known for one of its most important holdings: more than 2000 major works by the world's most significant Artists.Over the past years, as Ashok Art Gallery has become a major centre for contemporary visual art, the Gallery has built a strong collection of contemporary work of different artists, we became a sponsor of the STANDUP-SPEAKOUT Artshow, Organized by Art Of Living Foundation and United Nations.Organized an International Contenmporary Art Exhibition including artists from USA, The Nederlands, Pakistan and India.We have also participated at Art Expo India 2008, 09 Mumbai and India Art Summit 2008 New Delhi.

Tuesday, February 28, 2012

In 2011, the global art auction market generated 21% more than in 2010 and every single segment of the art market had progressed in terms of turnover





While old economies are struggling, growth is accelerating in the BRICS countries. The five BRICS - Brazil, Russia, India, China and South Africa- have been enjoying much stronger economic expansion than the developed countries and China's growth in particular has profoundly modified the geographical structure of the global art market according to thierry Ehrmann, the founder and CEO of Artprice, the world leader in art market information. Moreover, in Singapore, Beijing and Hong Kong, politicians are aware of the enormous economic potential of art for their state or their city, and their governments strongly support major cultural events including Contemporary Art fairs. In addition to the 49% growth in auction revenue from artworks in China, a number of other Asian countries have also posted particularly dynamic growth.

While Christie's continued to lead the auction market for Indian art with sales in excess of $20 million (Rs 100 crore) in 2011, Sotheby’s was second with its Indian art sales at $9.5 million (Rs 50 crore). At an online auction conducted by a Mumbai-based firm last year, paintings by Indian artists, including big names like Syed Haider Raza, Tyeb Mehta, Jehangir Sabavala, fetched more than US$14 million (Rs 70 crore).

“The Indian contemporary and modern art market has grown. The fact that we have added more sale locations for this category shows the increasing global demand for modern and contemporary Indian art,” said Sonal Singh, associate director, south Asian modern + contemporary art, Christie’s. The auction house has three international sites — New York, London and Hong Kong — where Indian art is auctioned.

“Top quality art with stellar provenance and in good condition finds buyers in India and world-over. In the past 18 months, we have seen record prices for artists such as Raza and Akbar Padamsee,” said Maithili Parekh, director, Sotheby’s.

Raza’s painting ‘Saurashtra’, which was auctioned for US$34,86,965 (around Rs 17 crore) in June 2010, is the most expensive Indian artwork ever sold.

In 2011, the global art auction market generated 21% more than in 2010 and there is not a single segment of the art market that did not progress in terms of turnover. Compared with 2010, Modern art added $1.2B, Post-war art added $372m, Contemporary art added $291m, Old Masters added $124 million and 19th century art posted an increase of $43 million. In addition, bulimic buying has not left any medium on the side-lines. 2011 saw the sale of more paintings, sculptures, photographs, drawings and even prints than 2010. Indeed, driven by the rocketing prices of the Chinese Old and Modern masters, drawing has really come into its own, with its annual revenue up by $1.318 billion over the year. 


The Ashok Art Gallery is internationally known for one of its most important holdings: more than 2000 major works by the world's most significant Artists.Over the past years, as Ashok Art Gallery has become a major centre for contemporary visual art, the Gallery has built a strong collection of contemporary work of different artists, we became a sponsor of the STANDUP-SPEAKOUT Artshow, Organized by Art Of Living Foundation and United Nations.Organized an International Contenmporary Art Exhibition including artists from USA, The Nederlands, Pakistan and India.We have also participated at Art Expo India 2008, 09 Mumbai and India Art Summit 2008 New Delhi.

Tuesday, December 13, 2011

Art Market and its Ten of World's most expensive paintings

Portrait of Adele Bloch-Bauer ($135,000,000)

The record-breaking sale of the portrait of Adele Bloch-Bauer for a whopping amount of $135 million was followed by a court order by the Austrian government to return the painting to Bloch-Bauer's heir, which was the culmination of years long dispute over the painting looted by Nazis during World War II.. Painted by the art nouveau master Gustav Klimt in 1907, the portrait was purchased in 2006 by cosmetics heir Ronald S. Lauder.

Nu au Plateau de Sculpteur ($106, 500,00)




Nu au Plateau de Sculpteur was another masterpiece from the brush of master painter Pablo Picasso. The painting, created in a single day in March 1932, set a world record auction price for a work of art at Christie's in May 2010.The painting, more than 5 feet by 4 feet, shows Picasso's mistress Marie-Thérèse Walter, both reclining and as a bust. It has been hailed by many as one of his greatest works

Garçon à la Pipe ($104,100,000)

Another marvel from Pablo Picasso: Garçon à la Pipe was created during the artist's famous Rose Period, during which he painted with a cheerful orange and pink palette. The oil-on-canvas painting, measuring 100 × 81.3 cm (slightly over 39×32 inches), depicts a Parisian boy holding a pipe in his left hand.The record price auction at Sotheby's New York on May 4, 2004 was a bit of a surprise to art buyers, since it was painted in the style not usually associated with the pioneering Cubist artist.

Dora Maar with Cat ($95,200,000)

Picasso, yet again. A surprise was in store for lovers of the great painter when, in 2006, this painting near doubled its presale estimate and fetched a record $95.2 million at auction at Sotheby's.Painted in 1941, Picasso's controversial portrait (one of his last) is sometimes described as an unflattering depiction of his mistress, Dora Maar, who was an artist/photographer, with whom he had a relationship that lasted ten years during the 1930s and 40s

Portrait of Dr. Gachet ($82,500,000)


The 'Portrait of Dr. Gachet' by the Dutch Impressionist master Vincent van Gogh suddenly became world-famous when Japanese businessman Ryoei Saito paid $82.5 million for it at an auction in Christie's, New York. Saito was so attached to the painting that he wanted it to be cremated with him when he died. Saito died in 1996 but the painting was saved

Le Bassin Aux Nympheas ($80,451,178)

.


 Painted by the Impressionist master Claude Monet in 1919, it sold at Christie's London auction house for 40.9 million pounds ($80.4 million) in June 2008, the highest price for a work of art sold by Christie's in Europe. The estimate was £18-24 million.

Bal Au Moulin de la Galette ($78,000,000)



 'Bal au moulin de la Galette, Montmartre' was painted by French artist Pierre-Auguste Renoir in 1876. On May 17, 1990, it was sold for $78 million at Sotheby's in New York City to Ryoei Saito, who bought it together with the Portrait of Dr Gachet.

Massacre of the Innocents ($76,700,000)



 This painting by Peter Paul Rubens, painted in 1611, is the only painting which was not painted in the 19th or 20th century. It was sold to Kenneth Thomson, 2nd Baron Thomson of Fleet for $76.7 million at a 2002 Sotheby's auction making it one of the most expensive paintings ever sold.

Portrait de l'Artiste sans Barbe ($71,500,000)



 Portrait de l'artiste sans barbe ('Self-portrait without beard') is one of many self-portraits by Dutch painter Vincent van Gogh. He painted this one in Saint-Rémy-de-Provence, France in September 1889. The painting is an oil painting on canvas and is 40 cm x 31 cm (16' x 13') and has a beautiful feel to it.

Portrait de l'Artiste sans Barbe ($71,500,000)



 This is an uncommon painting since his other self-portraits show him with a beard. The self-portrait became one of the most expensive paintings of all time when it was sold for $71.5 million in 1998 in New York.


The Ashok Art Gallery is internationally known for one of its most important holdings: more than 2000 major works by the world's most significant Artists.Over the past years, as Ashok Art Gallery has become a major centre for contemporary visual art, the Gallery has built a strong collection of contemporary work of different artists, we became a sponsor of the STANDUP-SPEAKOUT Artshow, Organized by Art Of Living Foundation and United Nations.Organized an International Contenmporary Art Exhibition including artists from USA, The Nederlands, Pakistan and India.We have also participated at Art Expo India 2008, 09 Mumbai and India Art Summit 2008 New Delhi

Thursday, October 20, 2011

As an alternative investment to gold, art has over years proven to be a real solid investment

 Today’s global economic crisis (GEC) which has hit hardest most developed countries, and whose economic experts are trying hard to rectify it, are results of the sub-prime financial debacle and the near collapse of the United States of America automotive industry.

The governments of most affected countries managed to quickly and decisively avert an immediate global economic meltdown, by using stop-gap measures of huge financial bail-outs to avert an economic slow-down. But this was at the cost of the real effects of the GEC being felt in the near future. In essence, these governments took over the financial responsibilities of temporary funding economic growth.

The question that one should ask is where did the government get the massive funding to plug the black-holes in their economies? The answer is they went to the printing press and printed fresh currency which they used to inject into their economies, in order to fill up the black-holes.

These measures brought some form of short-term relief to these economies by averting massive industry closures, high unemployment and most importantly an economic depression.  But it’s well known in economic circles that such measures always come with a hidden cost, printing currency to stimulate an economy can only bring short-term relief.
Today the results of such measures are just starting to be felt, with a steady rise in unemployment, company closures, credit crunch and property fore-closures. In essence these economies are going through a period of economic slow-downs or stagnation, better known as recession.

These symptoms are just the beginning of what is still come, and that is inflation. At the moment those with a general understanding of economics have started to take precautious measures to ride the tide of tough times that are set to come, by hedging their wealth and or savings against inflation by investing in art or gold.
That should explain why prices of art and gold have been achieving record prices.If one opens up the business section of any newspaper, one will read about record prices that gold is fetching in the markets , what is driving these record prices is the fact that many investors are liquidating their currency holdings and are investing in what has always been a safe-haven against inflation that being gold.

The reason why gold is regarded a safe hedge against inflation, is because of its scarcity, just like true art-works. The only known time that gold prices have been low was during the period when many central banks in developed countries opted to dispose the bulk of their gold reserves.

For one to fully understand the current events occurring in the global economy and to have reliable information to choose investment options in order to ring-fence themselves against the effects of the GEC soon to come, one must understand how the current currency system works.

Historically countries currencies were backed by what was known as “the gold standard,” this meant that the real value of every dollar printed by a central bank was backed by gold reserves held by the central bank. This meant that a central bank could not print currency above the value of gold held in their possession. In 1971 the then United States of America president Richard Nixon ended the international gold standard. The gold standard system is a monetary system where currency backed by gold, that is to say, the currency simply represents the gold that you own and can be converted into fixed quantities of gold freely.

From 1971 up to 1973 the Smithsonian agreement was passed pegging world currencies to the USA dollar rather than gold as a fixed exchange. In 1973 the Basel accord established the current floating exchange of currency rates we use today, called the fiat currency system. In Fiat currency system money is not backed by a physical commodity, instead its value is based on its relative scarcity and faith placed in it by people use it.

However, when people loose faith or confidence in the money, it irreversibly becomes worthless , regardless of its scarcity Initially a rapid growth in availability of credit is often mistaken for economic growth, as spending and business profits grow rapidly, and a rapid growth in equity prices. In essence as there are no real control measures to prevent the over-printing of currency in a Fiat system, a fake illusion of well-being and prosperity is created when in reality people are actually digging themselves a deep hole.

In the long run the economy tends to suffer much more by following contraction than it gained from the expansion in credit. In plain English, the economy starts shrinking. Hence the reason why some economies are now witnessing massive job losses, company closures and property fore-closures. When an economy reaches this stage, the next stage is the terminal effects of printing currency in Fiat system that of hyper-inflation.Hyper-inflation is the terminal stage of any Fiat currency, which occurs when money looses its value practically overnight. It is often the result of increasing regular inflation to the point where all confidence in money is lost, life savings are wiped out overnight and prices rise faster than people’s incomes.

Current financial instability has brought about lots of talk about international financial reform, and even return to the gold standard as proposed by some. The gold standard stands in contrast to Fiat currency which has no intrinsic value, but governments declare it to be legal tender, meaning it must be accepted as a means of exchange. One of the main benefits of the gold standard is that it protects citizens from hyper-inflation and debasing of the currency through excessive government spending. With a fiat currency, a government can print as much new money as it likes spending, which leads to a gradual decline in value of currency and citizens’ savings. Under the gold standard, a free banking system stands as protector of an economy stability and balanced growth.

In the absence of the gold standard there is no way to protect savings from confiscation through inflation. Russia and China have suggested the establishment of a super-sovereign currency, while Brazil and India have suggested substituting other assets for their dollar holdings. Currently the U.S.A and China are embroiled in a currency dispute over the value of the Yuan. The U.S.A is claiming that the Yuan is under-valued, giving China an advantage over the U.S.A in global trade markets, as Chinese exports are deemed to be cheaper than the U.S.A. The currency stand-off between China and the USA seems to have no end in sight as under a Fiat currency system, any powerful economic country can determine the value of their own currency to ensure no set system or measures can determine the value of their currency. What is inevitable is many countries are to go through a phase of hyper-inflation and the Fiat monetary system will eventually die a natural death, and be replaced by the gold standard system.

The question one must ask them self is, if the wealthy investors are hoarding onto gold bullion's and if currencies will be backed by the gold standard in the near future, then how does art come into the equation as a safe hedge against inflation? Firstly before one considers investing in gold they must understand that they need deep pockets, as a kilo bullion bar is currently trading at $45 000. Even after parting with such a huge sum, one must realise they can’t keep a $45 000 gold bullion bar under their bed, so monthly storage charges must be taken into consideration. Historically art has always been the alternative to gold.

During the period of high hyper-inflation in Germany which occurred after the First World War those who had invested in art came through that period better off, as the return on their investment in art-works out-performed investments in options that were available during that period. Most importantly art managed to beat the extremely high inflation rate, which would explain why so many art-works were looted during the Second World War.

As an alternative investment to gold, art has over years proven to be a real solid investment. With these uncertain economic times that we are in, its time to seriously consider your future by taking prudent pre-cautions to ring yourself against the effects of the current economic upheavals and events that are soon to come. In times of economic instabilities you are better off investing in art or gold.
SOURCE

The Ashok Art Gallery is internationally known for one of its most important holdings: more than 2000 major works by the world's most significant Artists.Over the past years, as Ashok Art Gallery has become a major centre for contemporary visual art, the Gallery has built a strong collection of contemporary work of different artists, we became a sponsor of the STANDUP-SPEAKOUT Artshow, Organized by Art Of Living Foundation and United Nations.Organized an International Contenmporary Art Exhibition including artists from USA, The Nederlands, Pakistan and India.We have also participated at Art Expo India 2008, 09 Mumbai and India Art Summit 2008 New Delhi.

Friday, September 16, 2011

Forgery, hoax and theft are the three main crimes that regularly appear on the art market.

Fraud tends to exist wherever it can on the art market, which seems particularly susceptible to swindling, fakes and other illegal dealings. Few and far between are the weeks when the legal system is not busy dealing with some sort of theft, con or forgery.

The most recent affair is currently happening in Florida and has been reported by The Atlantic Wire. The article reveals how an art dealer has managed to sell various anonymous paintings for millions of dollars, passing them off as works by famous artists. Fearless when it came to using big names, Matthew Taylor proposed pieces by Monet, Van Gogh, Pollock and Rothko.

Arrested this week, American authorities put an end to Taylor’s five-year scam of duping collectors who, for the time being, remain unidentified. Explaining how the case involves approximately one hundred works that are circulating on today’s market, The Atlantic Wire outlines Taylor’s technique: he would buy pieces by unknown artists with similar styles to those of highly sought–after names, then erase the original signature with the new one. Finally, to pass off the perfect fake, Taylor would attach a museum certificate to the back of the work in order to reassure potential buyers.

Forgery, hoax and theft are the three main crimes that regularly appear on the art market. With the trade principally based on a system of confidence and no official regulatory body, the battle against such infractions is incredibly difficult and complicated. When looking at Interpol’s results, they are encouraging, but far from sufficient.

Created in the mid–90s, the international database lists 37,000 objects, antiques and artworks stolen within 123 countries. The system allows public authorities to retrieve 5 – 10% of the works registered. To improve these percentages, art market professionals unanimously underline the importance behind the speed with which information is transmitted: the faster one announces a work missing, the better one’s chances of retrieval.

Given the art market’s secretive and non–transparent tendencies, the fight against fraud is extremely complicated. If the circulation of information is a key point for any victim of theft, it is just as important for potential buyers to do their homework and seek advice from reliable sources concerning the artworks that they are looking to purchase.



The
Ashok Art Gallery is internationally known for one of its most important holdings: more than 2000 major works by the world's most significant Artists.Over the past years, as Ashok Art Gallery has become a major centre for contemporary visual art, the Gallery has built a strong collection of contemporary work of different artists, we became a sponsor of the STANDUP-SPEAKOUT Artshow, Organized by Art Of Living Foundation and United Nations.Organized an International Contenmporary Art Exhibition including artists from USA, The Nederlands, Pakistan and India.We have also participated at Art Expo India 2008, 09 Mumbai and India Art Summit 2008 New Delhi.

Friday, August 26, 2011

Art Market trends detected in the practice of fine arts in India

Indian art market started truly maturing. The buyers now started showing lesser reliance on galleries and investments started based on more informed choices.The recent ArtTactic Indian Art Market Confidence Indicator is up by 19.2% from October 2010, helped by a strong confidence in the Indian economy. Despite a below-par auction season in New York in March 2011, experts in the Indian art market believe the positive economic sentiment will start filtering into the Indian art market, which has been troubled since the speculative boom in 2008. With economic growth set to out-pace China, the survey experts believe India’s economic growth will help fuel the Indian art market. The Economic component of the ArtTactic Indian Confidence Indicator has increased 21% from October 2010.

Three primary trends are now being detected in the practice of fine arts in India. Firstly a search for a distinctly Indian identity continues to dominate artists’ minds. Often it leads to the use of materials and objects which are distinctly Indian.

The second important trend that is being observed is the use of computer graphics, photography, modern technology and a host of other media in the creation of art works.

The third trend is the search for an individualist language of expression. The most important new style that fits this new trend is ‘Pseudorealism’, an art-genre which has originated solely in India. Only six years since inception, Pseudorealism has already a huge following among the new generations of India.



The
Ashok Art Gallery is internationally known for one of its most important holdings: more than 2000 major works by the world's most significant Artists.Over the past years, as Ashok Art Gallery has become a major centre for contemporary visual art, the Gallery has built a strong collection of contemporary work of different artists, we became a sponsor of the STANDUP-SPEAKOUT Artshow, Organized by Art Of Living Foundation and United Nations.Organized an International Contenmporary Art Exhibition including artists from USA, The Nederlands, Pakistan and India.We have also participated at Art Expo India 2008, 09 Mumbai and India Art Summit 2008 New Delhi.

Saturday, August 6, 2011

One of the questions that surround art as an asset is how to quantify an income stream from any sort of collection

The art business is its proprietary nature. Artists, art dealers, and retail buyers prefer that sales figures stay private, and go to great lengths to keep them that way. Artists don't want other artists knowing how well they do; dealers don't want other dealers knowing how well they do; collectors don't want other collectors knowing what they buy or how much they pay for it. Furthermore, one of the most important rules of the art game is that the more you know about art prices and what's selling where, and the less your competition knows, the more money you make and the less money they make buying and selling art.
Art is not a commodity that can be regulated. Anyone can call him or herself an artist, anyone can call anything that they create "art," and anyone can be an art dealer or own an art gallery. Anyone can sell art wherever, whenever and under whatever circumstances they please, and price or sell whatever they call "art" for whatever amounts of money they feel like selling it for, as long as that art is offered without committing fraud or misrepresentation. And they do. To further complicate matters, art is sold everywhere all the time-- at individual artist websites, gallery websites, websites where artists pay fees to show their art, secondary market websites , auction sites, outdoor art shows, art galleries, art fairs, flea markets, estate sales, big city auctions, museum sales and rental galleries.
New art work sells in all price ranges; much of it passes through chains of wholesalers, distributors, and other resellers on its way to retail galleries, and ultimately to retail buyers. This includes paintings, sculptures, etchings, lithographs, photographs, serigraphs, wood carvings, ceramics, weavings, tapestries, watercolors, drawings, mixed media works, and so on. And that's just the brand new art; older art sells over and over and over again all the time, often changing ownership in secret private transactions. In all, countless millions of pieces of "art" are bought, sold, and traded worldwide every year.
Old-Master values have struggled to keep pace with those of more fashionable works by 20th-century and living artists. Traditional paintings have a smaller pool of collectors, and while buyers still fight for museum-quality discoveries, less desirable, previously-offered works attract less demand.

One of the questions that surrounds art as an asset is how to quantify an income stream from any sort of collection. But a recent report from Colin Gleadell suggests that art—in this case, 580 paintings and drawings assembled lightning quick over a three-year period—can produce revenue on an indirect basis. After a dull 2010 for global art sales, the Artprice Global Index bears testament to a rapid improvement in the market this year. The index, which is updated quarterly, shows that sales in the past three months have delivered prices that were last seen before the recession took hold in 2008.
One thing is certain – the big-time buyers of art are people in the financial sector who are weathering troubled times a lot better than high street businesses.And yet, for the last couple of decades, contemporary art has flourished through an alliance of the rich and the not-so-rich. It is the same educated, probably public-sector-employed middle class that enthusiastically visit galleries and art fairs. It is these fans of modern art who have helped, by their acclaim, to generate the charisma that makes it apparently worth so many millions. 







The Ashok Art Gallery is internationally known for one of its most important holdings: more than 2000 major works by the world's most significant Artists.Over the past years, as Ashok Art Gallery has become a major centre for contemporary visual art, the Gallery has built a strong collection of contemporary work of different artists, we became a sponsor of the STANDUP-SPEAKOUT Artshow, Organized by Art Of Living Foundation and United Nations.Organized an International Contenmporary Art Exhibition including artists from USA, The Nederlands, Pakistan and India.We have also participated at Art Expo India 2008, 09 Mumbai and India Art Summit 2008 New Delhi.

Saturday, July 9, 2011

Fine art is confidently viewed by financial experts as one of the best performing asset categories

The art market is thriving. Fine art is confidently viewed by financial experts as one of the best performing asset categories of 2010-11. The international Modern and Contemporary art markets are up by an average of 25%, against FTSE's 11% and Dow Jones 9%, and by all accounts this trend will continue through 2011- said ArtLyst.
London Contemporary and Modern Sales Break Records:A successful fortnight of Impressionist, modern and contemporary auctions in London outshone all expectations for the annual summer sales. They realised £516.2 million, the third highest on record for the combined group of London power-players. This was a fraction behind  £520 million achieved in February 2008 at the height of the market peak. The Impressionist and modern art sales, were dominated by the later modern works realising around £280 million. This is similar to the figures achieved in London in June 2008 where the series achieved £298 million.

The post-war and contemporary art, that took the brunt of the recession, having lagged far behind the Impressionist and modern art market during 2010, has made a miraculous recovery. Contemporary art is genuinely catching up with sales of just over £236 million, a 102 per cent increase on last summer. Against all odds Sotheby’s achieved the highest total for a single contemporary art auction outside New York of £109 million. 

Figurative painting,was the biggest winner with Christie’s portrait by Francis Bacon reaching £18 million and a landscape by Peter Doig £6.2 million. Sotheby’s also faired well for German artists  Sigmar Polke who died last year £5.7 million, and the ever popular Georg Baselitz £3.2 million. European, art from the collection of Count Duerkheim also faired well.

The Ashok Art Gallery is internationally known for one of its most important holdings: more than 2000 major works by the world's most significant Artists.Over the past years, as Ashok Art Gallery has become a major centre for contemporary visual art, the Gallery has built a strong collection of contemporary work of different artists, we became a sponsor of the STANDUP-SPEAKOUT Artshow, Organized by Art Of Living Foundation and United Nations.Organized an International Contenmporary Art Exhibition including artists from USA, The Nederlands, Pakistan and India.We have also participated at Art Expo India 2008, 09 Mumbai and India Art Summit 2008 New Delhi.

Wednesday, December 2, 2009

Clearly, the Art market is on the threshold of an upswing in terms of investor confidence


Art analysis firm ArtTactic’s confidence indicator for the Indian art market has more than doubled, sending positive signals to investors.

In fact, recovery in the Indian art market could occur earlier than expected, according to the latest research report released by the London-based art market analysis firm. The report suggests there is renewed confidence evident in the market that incidentally had dipped to an all-time low only six months ago.

The report holds significance since ArtTactic, set up by Anders Petterson almost a decade ago, is an internationally reputed agency. It comes up with research and commentary by combining both quantitative and qualitative tools. Its studies are backed by an in-depth knowledge of the art market’s .

ArtTactic employs analytical frameworks and methodologies for the art market often employed by economists and the financial experts. Anders Petterson, ArtTactic managing director, elaborates, “The survey sample is a cross-section of key players in the Indian art market many of whom have a long-term interest in it, and hence their answers are not driven by short-term decisions.”

Its confidence indicator for the Indian art market is now pegged just under the 50 mark, at 49. The 50 mark importantly, suggests there are an equal number of negative and positive responses on the outlook for the art market in the near term. In May, the indicator was well in the negative territory, pegged at an abysmally low number of 20.

Clearly, the market is on the threshold of an upswing in terms of investor confidence. This really is a positive indicator coupled with the Indian economy that is showing early signs of revival.

The Ashok Art Gallery is internationally known for one of its most important holdings: more than 2000 major works by the world's most significant Artists.Over the past years, as Ashok Art Gallery has become a major centre for contemporary visual art, the Gallery has built a strong collection of contemporary work of different artists, we became a sponsor of the STANDUP-SPEAKOUT Artshow, Organized by Art Of Living Foundation and United Nations.Organized an International Contenmporary Art Exhibition including artists from USA, The Nederlands, Pakistan and India.We have also participated at Art Expo India Mumbai and India Art Summit New Delhi.