The painter compares the gracefulness and the aesthetics with the feministic attitude of the comtemporary women

VERMILION VERSES a Solo show by Baladev Maharatha , It will exhibit Indian classical Art like wash paintings, tempora and acrylics on canvases at India Habitat Centre, New Delhi
Venue: Open Palm Court Gallery Dates: 22nd - 26th Dec. 2010
Art works showing women, birds,flowers trees & mountains captured in intricate detail have been a beautiful reminder of Indian rich traditions of loving the Nature.That’s the beauty part... of it, and what also keeps alive the business of looking, the flip side of this business being how money and fame can sometimes make dreamers or opportunists out of even the most scrupulous experts & institutions...
With the mediaval poetics, nature plays a pivotal role. The women are described with the imagery from the nature. The narratives are so lively that the painter finds it quite feasible to transform it to visual medium.Be it the God or Human beings all decline before love for its state of eagerness and belongingness. Baladev stepped into the particular avenue by vividly osmotising the finer elements of imagery, iconography and form and the essence would provide him to paint the woman, the Nayika in so called poetics....
Show will be innaugurated by Ms Sangeeta Bahadur, Deputy Director General, ICCR on 22nd December 2010 at 5.00 P.M.
see you there



The Ashok Art Gallery is internationally known for one of its most important holdings: more than 2000 major works by the world's most significant Artists.Over the past years, as Ashok Art Gallery has become a major centre for contemporary visual art, the Gallery has built a strong collection of contemporary work of different artists, we became a sponsor of the STANDUP-SPEAKOUT Artshow, Organized by Art Of Living Foundation and United Nations.Organized an International Contenmporary Art Exhibition including artists from USA, The Nederlands, Pakistan and India.We have also participated at Art Expo India 2008, 09 Mumbai and India Art Summit 2008 New Delhi.

Several aspects of creative communication were discussed with regard to literature and art, Silver Jubilee celebration of B.K.Art college a Review

B K College of Art and Crafts has completed its twenty-five years creative journey in Odisha and its existence resulted in the paradigm shift in art education and propagation both within the state and beyond. To commemorate the success, AlumniBKCAC and B.K. College of Art and Crafts are celebrating its silver Jubilee in Bhubaneswar.

The celebration begun with the inauguration of a public art and site specific art workshop, curetted by Jagannath Panda on the 20^th of January 2010. This National workshop was organized at the Lalit Kala Regional centre, Bhubaneswar along with various other public sites by the participating artists. The participating artists are Paribartan Mohanty, Prateek Sagar, Anjan kumar Sahoo, Helen Brahma, Kanta Kishor Moharana, Nityananda Ojha, Sudarshan Biswal, Sujit Mallik, Sambit Panda and Vejayant Das. This workshop would continue up to 27^th of January 2010.

The college event started with a national Symposium on Creative Communication. Prof. Kanchan Chakraverti, Art Historian from Santiniketan, inaugurated the symposium on 22^nd January 2010. Prof. Ganeswar Mishra, Prof. Sourindra Barik, Dr. Dinanath Pathy and Convened by Dr. Pradosh Mishra. Several aspects of creative communication were discussed with regard to literature and art. The participants focused on methods of communication and its relevance to art and how art needs to be communicated to the audience/viewer. The afternoon session was devoted to the audio-visual presentation by select artists like Ashish Pahi and Kanta Kishore which was coordinated by Dr. Pradosh Mishra.

On the 23^rd of January, an exhibition by the alumni of BK College of Art and Crafts was organized at the college campus on the foothills of the ancient site Khandagiri and Udayagiri. The Chief Minister of Odisha, Shri Naveen Patnaik, who not only thoroughly viewed the works, but also had an intimate dialogue with the artists, inaugurated this exhibition. Dr. Pradosh Mishra briefed the Chief Minster about the displayed art works, present state of art and trends, while Jagannath Panda explained him of the national and international issues related to art. The curator of the show, Sovan Kumar assisted the Chief Minister to release the Exhibition catalogue. Ashok Nayak accompanied the Chief Minister to the annual Art Exhibition of the College. He also felicitated the Former Principal, Kala Bhawan, Santiniketan, Prof. Kanchan Chakraverti, for his contribution to the art historical studies in the eastern subcontinent, Dr. Dinanath Pathy, the first Principal of the college and Shri Adwaita Prasad Gadanayak, President, AlumniBKCAC for collaborating to the cause of art in Odisha. In his address, he emphasized on the rich cultural and art heritage of Odisha and its application in the contemporary art, defining a new approach of continuity. He appreciated the effort of the AlumniBKCAC for the entire event.

This programme was followed by an interaction by the faculty and alumni of the college, with the students under training, under the event title, My College: My Art. Dr. Dinanath Pathy, Shri D N Rao, Shri Baladev Maharatha, Shri Ramahari Jena, Shri Siba Panigrahi, Shri Adwait Gadanaik, Shri Jagannath Panda and Shri Ashok Nayak. As a continuation to the event, many of the passed out students and participating artists showed their creative video short documentations. Both the academic sessions was coordinated and convened by Dr. Pradosh Mishra.

In the evening, His Excellency the Governor visited the exhibition hall and was accompanied by the participating artists. His keen interest in art motivated the young and dynamic students for an intimate interaction. The Governor also felicitated the Teachers and staff of the college for their valuable contribution to the art education. The Governor graced the cultural programme at the college campus at the newly prepared amphitheatre, where Sakhinata, a traditional dance form of Odisha, Odishi, the classical dance form, and Sambalpuri, another folk dance form was presented before him.

The Silver Jubilee functions were supported by Subrat Mullick, Anjan Sahoo, Tarakant Parida, Veejayant Dash, Meenaketan Patnaik, Pratap Jena, Aparna Ray, Bidyutlata Patasahani, Sangeeta Mohapatra, Ramakanta Samantray, Sangram Moharana, Sudarshan Biswal, Projesh Mohapatra, Kirti Kishor Moharana and many other well wishers of AlumniBKCAC.

The Ashok Art Gallery is internationally known for one of its most important holdings: more than 2000 major works by the world's most significant Artists.Over the past years, as Ashok Art Gallery has become a major centre for contemporary visual art, the Gallery has built a strong collection of contemporary work of different artists, became a sponsor of the STANDUP-SPEAKOUT Artshow, Organized by Art Of Living Foundation and United Nations.Organized an International Contenmporary Art Exhibition including artists from USA, The Nederlands, Pakistan and India.We have also participated at Art Expo India Mumbai and India Art Summit Delhi

‘Renewed Intensity’ is an idea to bring back serious passion and attitude towards a new art form, public and site specific art.

Renewed Intensity

On the occasion of the silver jubilee celebration of BK College of Art & Crafts, we are attempting to broaden our own horizons by re-introducing some of young and talented artists who are earlier graduates and have earned recognition. Some guest artists are also participating the event by invitation.

The city of Bhubaneswar has become a busy metropolis where both modern and traditional art and culture co-mingle. It has undergone vast developmental changes, shifting the historical & ecological map of the city in the last few years. The point here is to understand the coexistence of the past and the present.

‘Renewed Intensity’ is an idea to bring back serious passion and attitude towards a new art form, public and site specific art. Worth noting inherent in local culture lies this notion. This is first of such a workshop that we have planned: where artists will create the works with multiple approaches and u different medium, exploring art out of unconventional forms or ideas. It will also explore the possibility of varied aesthetic influences and expressions based on Interactive, Performance, Installation and so on. These artistic activates will attempt to understand inter-relationship of nature, culture, city, politics, fictional text and vital inner life. This workshop will create an environment of diverse art forms for the new viewer/audience. In these eight days, artists will produce art works in relationship between ecology and art in public spaces.

While engaged in the workshop, the participating artists will respond to collective cultural needs, developing active roles in environmental and social issues. Some artists will focus on the role of art in encouraging ecological awareness and social activism amongst local people. We sincerely hope our efforts will bring about a constructive change in the art situation in Odisha.

Jagannath Panda

Public art fits a much broader definition than art in a gallery or a museum. In simple terms, public art is any work of art or design that is created by an artist specifically to be sited in a public space. It can tower several stories high, or it can call attention to the pavement beneath your feet. It can be cast, carved, built, assembled or painted. Whatever its form, public art attracts attention. By its presence alone public art can heighten our awareness, question our assumptions, transform a landscape, or express community values, and for these reasons it can have the power, over time to transform a city’s image. Public art helps define an entire community’s identity and reveal the unique character of a specific neighborhood. It is a unifying force.

The impact of public art on a community is priceless and immeasurable and once experienced it only appreciates. Public art has the power to energize our public spaces, arouse our thinking, and transform the places where we live, work, and play into more welcoming and beautiful environments that invite interaction. It enhances the quality of life by encouraging a heightened sense of place and by introducing people to works of art that can touch them and generations to come.

Site-specific art is artwork created to exist in a certain place. Typically, the artist takes the location into account while planning and creating the artwork.

More broadly, the term is sometimes used for any work that is (more or less) permanently attached to a particular location. In this sense, a building with interesting architecture could be considered a piece of site-specific art.

In 1966 Robert Barry said:

“(site installation) is made to suit the place in which it was installed. They cannot be moved without being destroyed.”

In 1989 Richard Serra said:

“The works become part of the site and restructure both conceptually and perceptually the organization of the site.”

But later, the concept and relevance of the artwork in relation to the site have evolved.

The artwork in a specific site still explores themes and relationships with its surroundings. However its site can be moved and the artwork can still be relevant.

It’s a battle between ‘what is Public Art’ and ‘what is Site Specific Art’. The art can become site relevant in a conceptual way, yet it doesn’t have to be physically nailed to that exact place. The concept plays a big part, because it can be a very wide subject/theme, which could be relevant in many places. Most importantly it involves the viewer of the work, as they are present on this ’site’. Site Specific Art then becomes audience relevant.

But, this workshop intend not to define the meaning of the terms but more relevant to the celebration and prepare and produce work of art along with the community.

Participating Artists:

Guest:

Paribartana Mohanty (Delhi)

Prateek Sagar (Delhi)

Alumni of BKCAC:

Sujit Mallick (Delhi)

Sudarsan Biswal (Delhi)

Veejayant Dash (Bhubaneswar)

Assisted by

Satyabhama Majhi,

Samarjeet Behera,

Niroj Satpathy,

Satyajeet Das

Nityananda Ojha (Baroda)

Anjan Kumar Sahoo (Bhubaneswar)

Bujing Rao (Bhubaneswar)

Kanta Kishor Moharana(Bhubaneswar)

Assisted by

Smrutisai Mishra,

Manas Moharana,

Somnath Rout

Sambit Panda (Delhi)

Helen Brahma (Bhubaneswar)

Information:

Activity: Public Art and Site-specific Workshop

Commemorating Silver Jubilee Celebration of B.K. College of Art and Crafts (BKCAC)

Concept: “Renewed Intensity”

Date: From 20th to 27th January 2010

Artist Presentation: 25th January 2010 at 5.00 pm

Initiator: Dr. Pradosh Mishra

Chief Guest: Prof, Deba Patnaik and Dr. Dinanath Pathy

Guest of Honor: Ramakrishna Vedala,Ramahari Jena, Adewata Gadanayak

Public Display: 26th to 27th January 2010, 11am to 8pm

Venue: Lalit Kala Akademi Regional Centre, Unit III, Bhubaneswar,

Coordinators: Sudershan Biswal, Veejayant Dash, Pradosh Mishra, Ashok Nayak, Anjan Shaoo,

Curator Jagannath Panda

The Ashok Art Gallery is internationally known for one of its most important holdings: more than 2000 major works by the world's most significant Artists.Over the past years, as Ashok Art Gallery has become a major centre for contemporary visual art, the Gallery has built a strong collection of contemporary work of different artists, became a sponsor of the STANDUP-SPEAKOUT Artshow, Organized by Art Of Living Foundation and United Nations.Organized an International Contenmporary Art Exhibition including artists from USA, The Nederlands, Pakistan and India.We have also participated at Art Expo India Mumbai and India Art Summit Delhi

Ashok Art Gallery The mystique nature of contemporary art comes alive, an international Art Exhibition in Orissa India, art exhibition reviews

Art Exhibition India Ashok Art Gallery

View more presentations from International Art gallery.

Orissa is a land of multiple cultures ranging from folk to tradition to music and dance forms and many more. The visual art has been strong at the traditional level while modern contemporary art is striving for a place in cultural space. The fact that Orissa has two recognized art colleges with valuable exponents but due to the misplaced understanding at the local level, the entire environment is affected. The contemporary artists have taken their stand to propagate artistic issues since long, at least for last fifty years. But the expositions are limited to the artists rather than getting closer to the social community. The problem seems to be lying with the communicating values. The state non-cooperation and their limitations to foresee the present and future of the arts have taken disseminating position. Blame game is a strong culture that persists in the sphere by choice or otherwise. While taking stock of the matter, it seems as if one is addressing the politics in art. That is very much by chance, while the fact is no one would like to project a negative perspective of the communication, at least in a time when information technology has taken over the virtual space of interaction and art has become a substantial part of it. Well the artists have been trying to cap issues that are very much relevant and social. The present artists have somehow tried to create a positive feeling by coming together on singular platform to present their art with concern.


Art unfolds and the artists are approaching new avenues to interact. This time its the turn of many young and dynamic artists pulled together to exhibit in the Rashtriya Lalit Kala Kendra, Bhubaneswar. The group show was organized by the Ashok Art gallery (an International art gallery) operating from New Delhi promoting the art and artists. This is for the first time the young and budding artists and people of Orissa are privileged to view few international artists like Ruth Olivar Millan (USA) Thea Walstra (The Nederlands) Amna Ilyas (Pakistan). The show was scheduled between 27th February and 5th March 2009. Many artists those including the Orissan Master Chandrasekhar Rao, Baladev Moharatha, young reputed artists like Jagannath Panda Pratul Dash, Ramakanta Samantaray, Adwaita Gadanayak, Sitikanta Pattnaik, Pradosh Swain, Subash Pujhari, Manas Ranjan Jena and several others. Among the national artists are Dharmendra Rathore, Hukumlal Verma, Ramesh Tardal , Vinod Manwani, Indu Tripathy, Sanjoy Bose those have placed themselves in the global platform also joined the show.


For last couple of months the art scene of Orissa seems to have upgraded its activities to keep pace with the time and need. City’s art calendar has seldom been so active.Several exhibitions, Film Shows, camps and symposiums have been organised up to update the young artists with the latest global developments. This exposition truly reflected the global ideology while representing the local. This can mean one thing. Bhubaneswar is fast growing as a metropolis, said Minati Singh of TOI. The signs are quite clear and the trend of the art market has been growing over the past few year. A good number of artists and art aficionado have got into a habit of visiting art galleries have also come up to hold exhibitions in the city with an aim to popularizes love for art and create an art market. The rationale behind these exhibitions is to bring the potential of these local artists under one roof, alongside some of the noted artists of the state. This exhibition will help market the works of these small-time artists. Speaking about the camps, Ashok Nayak from New-Delhi based Ashok Art Gallery says, “earlier art camps were organized only by Lalit Kala Akademi. Since the AKademi has its own limitation, other organisations have started top take initiative to place the artists under one roof through camps and other similar events”.


The gallery organized this international exhibition of more than a hundred art works by eighty four artists comprising of paintings, drawings, sculptures, photographs and installations here on Friday at the Lalit Kala Akademi. “There is demand for genuine artworks and the buyers are choosing to invest in art. They are searching for fresh venues to explore the right art and therefore, we must organize regular art shows, camps and exhibitions so that chances are created for the better selection,” Mr. Nayak said. In this exhibition, he added, “we brought artists both renowned and aspiring, from all over the world so that the creative gap is lessened. Most of these have dealt with issues of major political and social concerns. Adding to the flavor of the exhibition the corporate houses have offered their patronage to the event. “Patronage is essential to the growth of art. Now the time has come when the government should invest in the growth of public art and earmark some fund for it. A growing city like Bhubaneswar has all essential facilities for it. The corporate houses and other private sector should join hand to make the difference feel to the citizens of this city”, said Ashok. Kanta Kishore Moharana, another artist said,” I am not worried about selling my sculptures. I want people to just come and have look at my creations so that they get a feel of them. The new trend has come up these days to combine sculptures with other from of art in a single item. So I tried to mingle them with my sculpture.”


“Art has never known boundaries. It just captures viewer’s attention through colours, images and expressions, each work saying something different and important. The mystique nature of contemporary art comes alive in the work of Nederland based artist Thea Walstra’s brush work on canvas showing a looped bright light in vermillion shades as in Sajal Patra’s acrylic work where a woman stands in front of a locked door. Pratul Dash’s water cololur on paper brilliantly brings out a scene of crowd while Tapan Dash has used dry pastel on paper to produce a thought provoking face. Sculptor Biswaranjan Kar has shown his efficiency in painting, again based on his continuing work on Olive Ridley turtles”, a city based Art Critic Namita Panda said.


Exhibited at the international art exhibition of painting, drawing, sculptures, photographs, and installations these paintings stood alongside almost a hundred more of similar brilliance artists like Amna Ilyas from Pakistan, Ruth Olivar Millan, Adwaita Gadnayak, Gauranga Bariki, Sitikanta Patnaik, Jagannath Panda, Pratul Dash, Tapan Dash, Gadadhar Ojha and growing ones like Pratap Jena, Ajay Mohanty, Somanath Raut, Manas Moharana, Subash Pujhari and Kanta Kishore Moharana.

The art tradition in Orissa is so very strong that artists adapt the visual elements with subtle changes to suit contemporary makeover. In the case of Ajay Mohanty, one could easily consider these remains. They have emerged with subtle aesthetic layers with focus on the compositional patter. Stylistically different though but the gestures and colour have strong reference points. The only deviation perhaps is that of the space treatment and that make it visual strong and appealing. The present form of Anup has travelled long beyond Bihania and the transformation has remarkably shown up. The synchronization of the butterfly, the mystery and the illusory impact of the veil underlines the invisible face with intelligent symbolic. Gadadhar Ojha's Sans Titre holds the clue to the textural adventure and the space arrangement. The marble images refer to the Indian concept of bindu and vistara, a concept that deal with the centre and the periphery. The coordination that necessarily speak of the relationship in interface: the globe and the India, the local and global and its likes. Hukumlal Verma's image is a simple play of colours and its definition in overlapping pattern.


Indian contemporary art has now started evolving new paradigms and several artists have been relocating themselves in the present context. The boundaries of the mediums are intelligently merged and meaningfully redefined to engage in artistic creativity. Emotion and expression are charged with intellectual input into and outside the civilisational aspect. Jagannath Panda is such an artist who has overcome the restraint of time and space with the medium. Environment and human relationship gets attached to the expressive medium. The overlapping planes represent timeless narrative with the man calculating the journey through its triangular device locating its existence. It seems to be an endless calculation in the background. The triangle shows the past , present and future coinciding to the three angles and the human race to achieve all in one go, finally failing to synchronise the ends. The compartment below derives the sky and its relational value to the upper segment. Pratul has sensitively arranged a human-scape with photo-dynamic. The composition seem to have a sense of social congregation. He might be nostalgic with the terror strikes in Mumbai and initiates the unique oneness of the subcontinent. Tapan continues to draw with his mask(y) faces with layers of personality hidden within one self. This reality has surfaced with the racial competition to win over the world, every one individual trying to over do the other and justify the presence. This could also hint at a psychological value of human existence. Pradosh Swain has semantically drawn the earth through the bird image; upper part of the image beautifully interprets the sky with the runway at the background merging to the vistas, while the lower part reflects the dry land beginning to beg its fate looking at the past (which might have just saved its life). It is a sensitively created piece referring to the misbalance caused by human to nature.


Ruth is different and direct, creating a equilibrium between form and affection, of desire and achievement. The simple expression of the child and the mother is derived from life and diligently put forward on the canvas. And Shekh Hifzul is narrative in his form and composition, decorating the image with subtle rendering of designs and trying out mythical representation with a wing (?). In this couple, male has the wings of desire and freedom remaining at the upper band while the female share its presence delicately supporting the figure. Thea Walstra speaks about the laser interactive rays those radiate to unite and spread around like dvani (sound), glowing into the cosmic sphere merging into the air and bringing back the sound to the ears, with the same transparency and layers.

There has been huge footfall and the viewership has widened to family people and youngsters too now. In fact many of the displayed works were bought as well. The weeklong exhibition that concluded on 5th March 2009 also included a work by the immortal art guru Chandrasekhar Rao and present master Baladev Moharatha. Though too huge for a viewer to absorb all the creations properly, almost every form of the art was present at Lalit Kala Akademi Regional Centre. One could easily find his interest as a number of subjects like environment, nature, society, beauty, spirituality, culture, and many more were included in various media like metal, wood, marble, fibre, rock in sculpture and pastel, acrylic, mixed media, water colour, graphic in paintings. This exhibition is a venture projecting the insider and the outsider to and from the subcontinent and more so in Orissa it would definitely make sense as they all bring different vocabulary on one platform. Ashok Art Gallery has done this in Delhi before and now presenting this to the Orissa audience, and hopefully they will cater to the creative desire of the young state art forum. What we need is reasonable spirit and appreciation of the art situation today, because we live in the present and need to keep pace with time. More such exhibitions will expose us to the global happenings. This first exhibition of its kind will definitely work as a catalyst for future.


The Ashok Art Gallery is internationally known for one of its most important holdings: more than 2000 major works by the world's most significant Artists.Over the past years, as Ashok Art Gallery has become a major centre for contemporary visual art, the Gallery has built a strong collection of contemporary work of different artists.Last year we became a sponsor of the STANDUP-SPEAKOUT Artshow, Organized by Art Of Living Foundation and United Nations.Organized an International Contenmporary Art Exhibition including artists from USA, The Nederlands, Pakistan and India.We have also participated at Art Expo India 2008 Mumbai and India Art Summit 2008 New Delhi.

Art News and Exhibition Reviews : Ashok Art Gallery, The Tree Family, an Orissan traditional forms and conventional drawing by Gajendra Prasad Sahu.

Gajaendra Prasad Sahu's Solo show has innaugurated by Dr. Subash Ch Pani at IHC Senior Artists like Kashinath Jena shared his valuable thoughts with all young artists present at opening, This exhibition will continue at Ashok Art Gallery
An Exhibition of recent drawing and painting was organised at Open Palm Court Gallery by Ashok Art Gallery from 14th -16th feb 2009, gathered by many artists and art lovers, Gajendra Prasad's work gets heavily appriceations from both side.

Orissa has been a store house of ideas and images consistently transformed through the history. Artists of Orissa, while keeping the value of its tradition, have tried to keep pace with the need of time. Thus it is obvious to find a blend in the art forms of today. Several contemporary artists from Orissa are practising in coordination with the creativity and tradition, Gajendra Sahu is one of them.

Gajendra Sahu is essentially a graphic artist who is at present engaged in painting, thereby breaking the norms of the painter-printer convention. I still remember few drawings by him in the same pattern, and that reminds me of his association with these forms which are designated and stylistic. It is necessary to highlight the stylistic advantages that are visible in his painting for example the graded yet bold lines, the formal precision and the colour application which has a greater relevance to printing effect.

The compositions are interesting not because of their presence but for their appearance, with a contrast compartmental background seemingly synchronising the visual feast. The second factor it emphasises is the man-nature relationship. The relationship might just be as natural as normally seen in an Orissan environment. The nature is more decorative and conceivably symbolic. The situation has ceased to accommodate the viewer for interaction or is it initiating a rendezvous! The figures seem to reflect an amalgamation of the Orissan traditional forms and conventional drawing.

The subject treatment is much nearer to the mood of the artist. The human faces are nurtured in different condition; pale, melancholic sometimes or may be lost in the urban chaos, or searching a niche for their survival. Being within the nature, they are in a state of discomfort. This brings us to one larger understanding of within and without, containment and exploring, fullness and empty etc. These are subjective view points, entailing the third person to engage in evaluation. This is the state of Orissan art in Orissa, having enormous heritage and cultural potency to encourage any creative discipline, but looking forward to a strange acceptance, forgetting that purity has no language, but expression.


Dr. Pradosh Kumar Mishra
Associate Professor
Department of History of Art
Banaras Hindu University

The Ashok Art Gallery is internationally known for one of its most important holdings: more than 2000 major works by the world's most significant Artists.Over the past years, as Ashok Art Gallery has become a major centre for contemporary visual art, the Gallery has built a strong collection of contemporary work of different artists. Last year we became a sponsor of the STANDUP-SPEAKOUT Artshow, Organized by Art Of Living Foundation and United Nations.Organized an International Contenmporary Art Exhibition including artists from USA, The Nederlands, Pakistan and India.We have also participated at Art Expo India 2008 Mumbai and India Art Summit 2008 New Delhi.

Art Exhibition New Delhi, India: Ramesh Terdal

After a grand success at India Habitat Centre, The Show is running successfully online at Ashok Art Gallery. These manoumental contemporary acrylic paintings of young Ramesh describes the socio-politcal scenario of contemporary world, the violence , the hatered rate and all those efforts to stabilize, a fantastic brushing with a very selective wild colors Ramesh just deserves all kind of appreceations. He has shown all his potential to satisfy todays critics, and undoubtly has made a strong impression in Delhi's Art Market.

23rd Oct 2008 - 23rd Nov 2008

Ashok Art Gallery: Shows

Website: LATEST SHOWS

Art Exhibition New Delhi, India.

Ramesh Terdal

The Ashok Art Gallery is internationally known for one of its most important holdings: more than 2000 major works by the world's most significant Artists.Over the past years, as Ashok Art Gallery has become a major centre for contemporary visual art, the Gallery has built a strong collection of contemporary work of different artists.
Last year we became a sponsor of the STANDUP-SPEAKOUT Artshow, Organized by Art Of Living Foundation and United Nations.Organized an International Contenmporary Art Exhibition including artists from USA, The Nederlands, Pakistan and India.We have also participated at Art Expo India 2008 Mumbai and India Art Summit 2008 New Delhi.